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Amazing 😊😊

Seriously, what kind of movies are you working on?

Sony, Flanders, Atomos all have confusing menu systems and OS. No one has figured this out yet.

i have the VB155! Love it

Great vid! What wireless transmitters do you use for your production monitor?

The barrel connections are for connecting that to a monitor to a field monitor because they all have barrel connections for power

For my use case I hope more batter manufacturers continue barrel connections.

Seriously over priced

Nah youre trippin, i use the barrel connectors for my monitor and to power the blackmagic, frees up the usb c for other things, d tap is too chunky. Also the barrels can spin and you can self align where the cables go in direction

have you ever had any issues with powering HDMI monitors and the camera through the same v-mount battery? Like sdi-protocol but with HDMI I guess 🤔 I'd like to do that for my setup but I'm afraid of frying the HDMI port or something

How do I delete the voice over after generating ?

great breakdown! I'm really enjoying the why how what style videos that are coming out more these days. Not just, buy this and you will be a cinematographer. But more practice your craft and you will get better. Always love the trick of putting a plant clipping in front of a harsh light, cheap gobo on the go for us bozo('s) (i couldn't restrain myself)

Nice look Tyler! The foliage trick is called a Branchaloris fyi

This looks awesome. I feel like I'm noticing more DPs setting their key temp to 4400-4500. I'm not sure if it's just me or not. I know there was some article going around pointing out how 4400kelvin should be the default, rather than the 5600k everyone is used to. Or maybe I'm just noticing it now after reading the article. I don't know. lol. But again really appreciate your videos and sharing your thoughts with us.

It’s been two years, do you recommend any of these 3?

Have you calibrated yet? If not please do a video on that process. As i understand it, the only way to calibrate correctly, using the clean feed from Resolve through the Decklink, is with a combo of the included Asus software and Light Illusion Colourspace, which is $800 😮

Bro I watched the whole thing but don't understand why Ultrastudio signal is cleaner than GPU? also can it turn an SDI signal coming from a let's say RED into ready streamable HDMI, how do you transform gamma?

I agree. Put the 16mm rf on and set to monochrome. - hello new world.

Artlist pushing the limits! Love it!

I played with this last night, really sounds natural!

You think this would be good for an on camera monitor? :)

Thanks for your video, nice photos! The Nikon Zf is not only an incredibly stylish camera, it is powerful and state-of-the-art. The user concept is a declaration of love from Nikan to its retro fans. Personally, I've always found myself wanting to avoid it because I'm too used to the mature ergonomics of modern DSLMs, but... great camera! Best regards SLEH

no scripts that's boring af

An oldee but a goodee!!!

Maybe a quick add on: tentacle offers easy to replace repair kits for changing batteries. So long term investment maybe a plus. Also they are super chill company with great customer service here from germany and they really only focus on timecode.

The pricing is pretty good man. I like it

were we can watch a toturial

This is so close to being such a good monitor especially at the price point. I’m shocked it doesn’t have PIP feature. I wish it included the mounting plates and calibration cable in the box, just add it to the cost or make a bundle for it. I’m curious if it’s a true 10bit panel or a 8+2. I have the 15 and 21” osee monitors. They’re great, I do prefer the 15” I think the gloss panel on the 15 has better viewing angles and better contrast. TBH I’m not seeing much here to make me want to upgrade.

I wonder if the baby pin mount is same quality as on Megamon 15. Mine broke off after 10-15 shoots, buddy of mine had the same issue.

It's great but I'm waiting for a 5" version ;-)

I have always felt Nikon images has more life than Sony. Somehow I like the color from Nikon images more.

Thanks for taking time to go over the monitor but your impressions failed to cover some important aspects. How does the monitor compare to other displays that you use. Do the colors match? How does the calibration process work? Monitor latency - not in the spec sheet from Osee. How do the menus actually look? What are the menu options / display options like peaking, edge enhancement. I currently own the 215-HDR+ & the Megamon 15. I am interested in this new model but also looking at the new SWIT 21.5 which has PbP for two cameras at the same time.

I was pretty impressed with that monitor on set that day! I did not, in fact, correctly guess the price though.

What about picture quality? And does it have glaring issues?

I was waiting for this one man. Thanks! But that kiss with not being able to show multiple screens is not good.

The fact they can't make a 4K monitor by 2024 is embarressing.

Oooo I need one of these Rented an Osee before and it worked pretty well

Finally some pressure on SmallHD's Cine 24!

😊😊

Thank you so much for this comparison video. I could not find one that had exterior audio comparison so this was very very helpful.

Agree with you opinion. Hello from Sabah, Borneo.

Thnx for the affort. Could be helpfull to show the fals colors and percentages of the light.

Epic breakdown! Looks great

Hey Tyler first off thank you for all your red Komodo KX content, I’m very close to buying one .. I’ve been scouring the internet and there’s actually no video tutorial on the red Komodo KX I’m hoping you can make one soon 🙏🏾

Is it possible with speedboster ef Mount?

Thank you for that bro.

Nice! I’m About to pair Komodo OG and blackmagic on a piece this week too

The physical location itself looks like it had a lot of really interesting angles and background opportunities. Might have made for an interesting pivot from the flatter faux brick. Always nice to see these types of thoughtful breakdowns though. Cheers.

Thanks! Just purchased my T4c and I’m looking forward to having its versatility. I appreciate you reminding me about the NATO rail mounting option because I completely forgot that was an option. I’m working through the best options to mount. I shoot primarily in one location, but want a lot of flexibility for mounting (horizontal, vertical, high, low, etc), out of scene.

This was an awesome breakdown. A practical guide to a simple set up, also the casual nature just adds to the texture of the video